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| 11/1/68 photos by Paul Atkins. |
Me to young Chico Deadhead: "How did your date with Amy
go yesterday?"
Deadhead: "Bruh, the bottle may have been dusty, but
the liquor sure was clean."
I didn't know how deep those roots went until last year when
I and a friend launched a Facebook group dedicated to Chico's music history (we
expected 50 people; we got 2,300 and counting). From research and the stories
of group members, some interesting links have come to light.
One of the first was
that Pigpen's father, Phil McKernan, was a DJ at Chico's KHSL before moving to
Berkeley's KRE, where his R&B and blues show influenced many future Bay
Area players. This would have been about four years before Pigpen was born. From a
1941 radio-industry trade mag:
In the mid-1960s, Chico was a frequent stop for touring bands on their way to or from San Francisco. Like many Valley towns at the time, it had a Teen Center. These were much hipper spots than we might picture today. The Teen Centers and Vets’ Halls in Chico and its neighbor, Paradise, hosted bands on the cutting edge of garage-rock and pop, including the Yardbirds (1965); Chad & Jeremy (1965); Bonniwell’s Music Machine (1968); The Kingsmen (1965); The Standells (1967); Seattle’s The Wailers (1966); a post-Van Morrison Them (1967); The Ventures (1963); The Chantays (1964); and a proto version of the all-female Fanny called The Sveltes (1966,67). Chico also hosted bands from closer to home, some of which are now legendary among rare-60s collectors: The New Breed, The Lords, The Psy-Kicks, Zorba & the Greeks, The Tears, etc. (0)
One particularly early and interesting show in December 1966 was billed simply as “Freakout” with Quicksilver Messenger Service, Project Hope, and the Third Half; supplemented by “liquid visuals, light projections, and a crystal shower.” The conservative local paper relayed the promoters’ breathless prose: “The whole show […] will destroy your vision and unwind your mind simultaneously as you vibrate in the misty vortex of confusion – mesmerized by the totality of sights and sounds created by “Freakout.”
Notably, there were two versions of the flyer – one a homemade, proto-Fillmore mindbender borrowing from German expressionism:
- the other a version for the local papers that looked more like an announcement for a gospel revival under the ol’ brush arbor:
The term freakout was new, coined by Zappa for the Mothers’ first album that same year. An apparently young reporter at our local daily wanted to explain the term to readers, so he called up the man himself. Zappa, of course was happy to expound in Zappa fashion:
“On a personal level 'freaking out' is a process
whereby an individual casts off outmoded and restricting standards of thinking,
dress and social etiquette in order to express creatively his relationship to
his immediate environment and the social structure as a whole. It is not merely
a medium of entertainment, but a state of being. Less perceptive individuals
have referred to those who have chosen this way of thinking and feeling as
'freaks' - thus the term 'freaking out.'" (1)
When the Dead played Chico’s fairgrounds on 11/1/68 the elixir du jour happened to be nitrous oxide, which was generously shared with the locals. This caused many of the inexperienced to "revisit their lunches," including the singer of the opening band Gunge, who reportedly puked on Mickey's drum kit. The local consensus seems to be that the show was good, not great. On the other hand, most attendees I’ve spoken with don’t recall much from that day, for a variety of reasons. Big Brother & the Holding Company (with Janis) played Chico State the same year, and there were contemporary media reports they were booed off the stage; however attendees I’ve spoken with don’t recall that. (2)
In 1971, this ad appeared in Chico State’s student paper The Wildcat:
However, the announcement was a little premature. The show never happened, and the student organization that ran the bookings was compelled to issue a public statement (today, it’s hard to imagine anyone apologizing for a show that “only” features War, Eric Burdon, and Cold Blood with Lydia Pense):
Accept our apologies.
The Grateful Dead were our official choice and would be coming to Pioneer Week
except for the fact that they don’t want to come, or can’t come, or some other
reason. Conjecture has it that the measly audience at a concert they had in
Chico two years ago kept them from accepting another Chico engagement. Sorry, folks. If negotiations had come through, as we thought they assuredly would, the Dead would be here. Instead, Cold Blood and Eric Burdon & War are coming, for sure. They are
signed, and they will be here. (3)
Frequent GD-collaborator Dave Torbert of the New Riders visited Chico with Kingfish and Keith & Donna during the Dead’s ’75 hiatus (see pic), then spent his last years as a Chico resident, playing in several bands (including one I later drummed with).
This pic is Dave with the JGB in 1982, filling in for an ill John Kahn. Those flashy moon boots he's wearing belonged to guitarist Steve Cooley, who's been playing locally since the mid-1960s. Dave died suddenly from a heart condition in 1982.
Here’s one example of what could be many illustrating the GD's deep influence on local players. Prairie Biscuit was a great, longhair-country band that played local honky-tonks and even did a national tour in places that were not known to welcome the hirsute. Most of their material is straight country, but check out the lead track from their 1979 private-press LP and see if you note any familiar themes and tones. It makes a great drinking game (and if you want to extend it, try the demos from Elvis Costello's pre-fame pub rock band "Flip City").
Information has recently surfaced that Chico may be the site
of the first GD cover song ever committed to tape (outside of the band's home
turf). A group of 15-year-olds called The Souls recorded this version of
"Cold Rain and Snow" in the summer of 1967 - just a couple of months
after the release of the Dead's first album. (4) They recorded it in a band
member's living room, on a reel deck owned by an older brother. The singer,
Kurt Kearnes, was recovering from strep throat at the time, but since it was
the only time the recorder was available, they gave it a shot:
The recent discovery of The Souls’ tape also opened up some
interesting questions in that the band recalls learning the chords to
"Morning Dew" (which they played in their live set) before the first album was released.
They remember learning the song directly from Jerry off the side of the stage
at a Chico gig around '66-'67. As far as the record is concerned, the only GD
show in Chico was 11/1/68, so if an earlier show can be confirmed it would be a new
addition.
Souls vocalist Kurt Kearnes - whose solid recollection of
local music events has been very helpful in our Facebook group’s research - recalls
at least two(!) Dead shows in Chico prior to ’68 and thinks that one of them may have been with Quicksilver Messenger
Service. This show hasn't been confirmed so far, but we’re
still searching. The Chico Teen Center ran its show ads in the local daily
fairly consistently, but I haven’t found anything on the Dead. (5) (The daily Enterprise-Record was very conservative
at that time, so it’s not unthinkable they may have refused to print a name
like “The Grateful Dead,” which was much more shocking in 1966-67 than to our
modern ears that have grown used to it.)
On that theory, I found a few dates advertised only as “DANCE!” but none that correspond to open dates on either the Dead or QMS calendars. (6) The research continues…
by Charles Mohnike