March 22, 2025

The Missing Shows of 1971

This will be a short post! There is not much missing from 1971. Complete tapes circulate from almost every show of the year.

Nonetheless, there are a few shows where soundboard tapes have gone missing or never circulated. This is a list of the 1971 shows we don’t have the full SBD tapes for. Most of these are likely in the Vault. Some of the gaps are covered by AUD tapes, while others are missing altogether and are only known from audience memories.

Songs that are reported or AUD-only are in italics.

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1/21/71 Freeborn Hall, University of California, Davis, CAcomplete AUD/partial SBD 

I: Cold Rain & Snow, Me & My Uncle, Smokestack Lightning > Truckin’, Dire Wolf, Hard to Handle, [Sugar Magnolia, Black Peter], Mama Tried, Around & Around, Cumberland Blues, Casey Jones
II: Cryptical Envelopment > Drums > The Other One > Cryptical Envelopment > Cosmic Charlie, China Cat Sunflower > I Know You Rider, Uncle John’s Band

A good AUD tape covers most of the show; SBD fragments didn’t surface until recently. Deadbase claimed that Mickey Hart was absent, but this was mistaken: he’s playing. Sugar Magnolia & Black Peter were reported in Deadbase but are missing from the AUD tape, which may have a gap here. It’s unknown whether SBD reel 3 (with the splendid Other One and the last Cosmic Charlie until 1976) is in the Vault.

REVIEW: https://deadsources.blogspot.com/2012/07/january-21-1971-freeborn-hall-davis-ca.html

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1/22/71 Gymnasium, Lane Community College, Eugene, ORpartial SBD

I: Casey Jones, BIODTL, It Hurts Me Too, Me & My Uncle, Cold Rain & Snow, Hard to Handle, Brokedown Palace, Johnny B. Goode
II: China Cat Sunflower > I Know You Rider 

Ken Babbs introduces the band. The setbreak is uncertain, but this may be the first hour of the show. The tape is a muddy nth-generation cassette and is not the most appealing listen. A newspaper review says the Dead played from 11:30 to 2:00, so at least half of the show is missing on this tape, but no setlist details are known for the rest.

https://archive.org/details/gd71-01-22.sbd.cotsman.12592.sbeok.shnf

REVIEW: https://deadsources.blogspot.com/2013/01/january-22-1971-lane-community-college.html

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3/5/71 Oakland Auditorium, Oakland, CAno known tape

Midnight Hour, Turn On Your Lovelight

This was a Black Panther benefit. The Dead played a short set, less than an hour to a small audience after the Panther speeches; Ken Kesey also attended. (Phil Lesh remembered someone shouting in a quiet jam, “Free Bobby Seale!”) Apparently no one recorded it – the audience was searched and “anyone with a tape recorder was barred.”

https://lostlivedead.blogspot.com/2010/02/march-5-1971-oakland-auditorium-oakland.html (see comments)

REVIEWS: https://deadsources.blogspot.com/2019/06/march-5-1971-oakland-auditorium-arena.html

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3/13/71 Jenison Fieldhouse, Michigan State University, East Lansing, MISBD in Vault

Sugar Magnolia, Me & Bobby McGee, Johnny B. Goode, Truckin’, Casey Jones, Playing in the Band

Latvala said this show was in the Vault and even played a few tracks at a Dick’s Picks release party. Otherwise, not one note has circulated. The first 3 songs are per Deadbase, the next 3 per a setlists.net witness. (“Somewhere in the second set a guy near us in the bleachers said, "I think I may wake up in the morning still listening to the Grateful Dead!"”)

No review of the show has been found yet:

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3/17/71 Fox Theatre, St. Louis, MOSBD in Vault

Truckin’, Hard to Handle, Next Time You See Me, Me & Bobby McGee, Cryptical Envelopment > The Other One, Not Fade Away > Goin’ Down the Road Feelin’ Bad > Not Fade Away, Johnny B. Goode, Turn On Your Lovelight?

Next Time You See Me and Me & Bobby McGee from the first set were included in a dead.net Taper’s Section, which noted: “3/17/71 has a few technical issues at key points in the master tapes (specifically bad cuts in the reels during Hard To Handle and the Other One suite).”

The Dead started late (as usual) but played a regular 2-1/2 hour show. Garcia made a rare guitar change during the show, switching from his Peanut to a Les Paul before NFA. A newspaper review singles out Pigpen’s vocal in Lovelight, but a witness on setlists.net says “Pig did not do Lovelight at this show.”

REVIEWS:

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3/21/71 Expo Center, Milwaukee, WIpartial AUD

Cold Rain & Snow, It Hurts Me Too, China Cat Sunflower > I Know You Rider, Truckin’ > The Other One, Me & My Uncle, Hard to Handle, Loser, BIODTL, Me & Bobby McGee, Not Fade Away > Goin’ Down the Road Feelin’ Bad, We Bid You Goodnight?

45 minutes of an average audience tape were released on a vinyl bootleg, which is all that circulates of this show. (Pardon the inconsistent italics; there’s no available SBD tape for this show.) It’s unknown whether this show is in the Vault.

It was long claimed that this was the full show and the band left early “to catch a plane,” but this is not true. The Dead played a 2-hour show per a newspaper review, normal for early ’71, although there appears to have been no setbreak. None of the newspaper reports mention the show ending early. The actual song order is unknown (except that Cold Rain opened). Possibly the full show was recorded, but the original tape has never appeared. (An alternate bootleg LP also included Connection from the NRPS set.)

A standard Hard to Handle is about the only thing recommending this tape. Something goes wrong with the source in NFA>GDTRFB and it sounds like two tapes playing at once for a while. The Dead wrap up GDTRFB in a hurry, apparently not bothering to reprise NFA; but a newspaper review implies that they sang We Bid You Goodnight at the end of the show.

https://archive.org/details/gd71-03-21.aud.cotsman.12074.sbeok.shnf

REVIEWS: 

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Spring ’71 Digression

There are a number of short shows in early ’71 that may seem incomplete but are in fact the entire show (such as March 14 or 20). It’s a little surprising to see some second sets from March with only 5 or 6 songs, but several shows from this period (like March 24) are weighted toward long first sets with mini-second sets. Two-hour shows are common, but a number of shows clock in at even less than 2 hours, whether due to late starts, curfews, band malaise, or other reasons. Showgoers sometimes claim the Dead actually played a 3 or 4-hour set, but the tapes don’t bear this out.

There is one show where a number of songs are missing: 4/15/71 at Allegheny College in Meadville, PA. Both sets are incomplete, with BIODTL, Loser, Mama Tried, China>Rider and Me & My Uncle absent from the tape. It’s hard to say whether the circulating copy is cut, or whether the tape just wasn’t rolling for the whole show.

There’s another show where the Dead backed up an opening group: 3/24/71 at Winterland. It was long known that the Dead played with the Sufi Choir before their set, but no tape had ever emerged until recently, when parts of it were aired on the Deadcast. The account of the show starts an hour into the episode with excerpts from the Sufi Choir’s set:

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5/29/71 Winterland Arena, San Francisco, CAcomplete AUD/partial SBD

I: Casey Jones, Me & Bobby McGee, It Hurts Me Too, Promised Land, Loser, Playing in the Band, Hard to Handle, Me & My Uncle
II: Truckin' > Drums > The Other One > Wharf Rat, Sing Me Back Home, Cumberland Blues, Sugar Magnolia > Deal, Not Fade Away > Goin' Down the Road Feelin’ Bad > Not Fade Away

The SBD of the second set circulates. The first set is still only available as a fair AUD – it has a nice long Hard to Handle and the first Promised Land since 1966. Two songs from the second set are missing from the SBD. This was the infamous “acid punch” show where the audience was dosed, so the newspaper reviews say little about the music, focusing more on the nudity and freakouts.

REVIEWS: https://deadsources.blogspot.com/2019/07/may-29-1971-winterland.html

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5/30/71 Winterland Arena, San Francisco, CAcomplete AUD/partial SBD

I: Bertha, Me & Bobby McGee, The Rub, Loser, Playing in the Band, Next Time You See Me, Morning Dew, Promised Land, Good Lovin'
II: China Cat Sunflower > I Know You Rider, Sugar Magnolia, Cumberland Blues, Big Boss Man, Me & My Uncle, Deal, Truckin' > Turn On Your Lovelight, Uncle John's Band, Casey Jones
E: Johnny B. Goode

The first set is apparently not in the Vault and only circulates on an AUD tape, in worse quality than the night before. It has a strong Morning Dew and ends with a big Good Lovin’ with Garcia playing slide in part of the jam (unfortunately there’s a tape flip when it gets spacy). The second-set SBD was released on a limited-edition “Winterland” vinyl LP.

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8/24/71 Auditorium Theatre, Chicago, ILpartial SBD

I: Uncle John's Band, Sugaree, Playing in the Band, Mr. Charlie, Loser, El Paso, It Hurts Me Too, Cumberland Blues, Empty Pages, BIODTL, Brown-Eyed Women, Me & My Uncle, Casey Jones
II: St. Stephen > Not Fade Away > Goin' Down the Road Feelin’ Bad > Not Fade Away, Sing Me Back Home, Truckin’, Big Railroad Blues, Me & Bobby McGee, Big Boss Man, Brokedown Palace, Good Lovin'

This show was found among Keith Godchaux’s “houseboat tapes,” and supposedly “all that was salvageable” was released on Dick’s Picks 35. Nothing has circulated other than that selection, except for an audience tape of “Empty Pages” that was stuck onto the 8/23/71 AUD. This suggests that more of 8/24 may have been taped as well, and for that matter, might still be out there on old audience tapes disguised as “8/23/71.”

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12/1/71 Boston Music Hall, Boston, MAcomplete AUD/partial SBD

I: Truckin', Sugaree, Mr. Charlie, BIODTL, Comes A Time, Jack Straw, The Rub, Tennessee Jed, El Paso, Big Railroad Blues, Casey Jones, One More Saturday Night
II: Ramble On Rose, Me & Bobby McGee, Big Boss Man, Cryptical Envelopment > Drums > The Other One > Me & My Uncle > The Other One, Not Fade Away > Goin' Down The Road Feelin' Bad > Not Fade Away

This is the only show from the fall tours that doesn’t have a complete SBD tape circulating. The first set is only available on a rather harsh AUD tape. It’s a standard first set with a rowdy Boston crowd.

One of the reviews mentions that during the intermission a tape was played over the PA: “It featured piercing guitar feedback and cavernous waves of applause. For twenty minutes…grating, annoying – and after a while maddening.” Ned Lagin said recently that this was his tape: “a stock recording of a crowd clapping that was sped up & slowed down until it sounded like white noise. It was an early iteration of Seastones that was worked on in stages at Mickey's studio.” (See the entry for 12/1/71 on Nedbase.)


REVIEWS: